Rare Is A FREE Equalizer VST/AU Plugin Developed By Analog Obsession

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Analog Obsession has introduced Rare, a freeware emulation of a vintage tube program equalizer in VST and AU plugin formats for digital audio workstations on PC and Mac.

The description on the product page states that Rare is a component-level digital emulation of an analog tube program equalizer. Analog Obsession claims that the plugin simulates the behavior of the original analog circuitry and all of its components to recreate the hardware EQ unit in digital format. As a result, Rare should be able to sound very similar to the actual analog hardware that it intends to replicate.

See also: Download Free BASSTARD Pultec-Style Equalizer VST/AU Plugin!

Rare is a dual-band program equalizer. Both bands feature a switch for choosing the target frequency range and a pair of knobs for boosting or attenuating the processed audio signal. This allows the user to utilize the well-known Pultec EQ low-end trick which consists of attenuating and boosting the low-end signal to add character and remove any muddiness. The plugin also features a bandwidth Q knob, a bypass switch, and an output volume control to help with gain staging inside the DAW. The control layout should be familiar to anyone who’s used a Pultec emulation plugin before.

Analog Obsession is offering Rare as a completely free download from their website, no registration required. The software is compatible with all VST and AU plugin hosts on PC and Mac. The developer has also released Yala, which is a freeware emulation of an analog tube amplifier.

Have you tested Analog Obsession’s Rare in one of your mixes? Are you happy with how it sounds? Do you think it sounds close to the analog hardware it tries to emulate? Let us know in the comments section below.

Rare is available for free download via Analog Obsession (13.5 MB download size, ZIP archive, 32-bit & 64-bit VST/AU plugin formats for Windows & MacOS).

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About Author

Tomislav is a music producer and sound designer from Belgrade, Serbia. He is also the founder and editor-in-chief at Bedroom Producers Blog.

26 Comments

  1. They also have some more plugins to offer like: besure-n87 – neumann 87 emulation , lcf – low and high cut’s filter ,rollamp – vox 30 combo amp emulation , fetsh – fet style compressor , filteq – pulteq style channel eq and guitar line – few emulations of classic amps and stomp boxes. LCF – is still on every channel in my mixes :)

  2. @Gavin
    Whats so interesting about the Waves plugs, as those are always the same 3 (hi end) algorithms with a new GUI?
    Those actually never reaaly change, except their prices from 59 to 49 to 29 to 3 for 1. Sorry for the rant (-:

  3. All snakeoil with different frontend gifs, kind of agree to this. As there is some truth to it, yet if it works, it works.

  4. I’m not that much happy with it. Seems there’s nothing like any parameter smoothing so that it produces an audible amount of crackling sounds. At least for me.

  5. Normally a buffer problem not the plugin. Maybe check your latency settings and also sample rate e.g. 48 or 44.1or a in general bad setup OS for running realtime audio, which you can check with DPC Latency – Checker.

    • Thanks for the hint. But I have some other plugins running. I usually mix at 1024 spl buffer size, and since I code from time to time I guess for example clicks on changing parameters like volume result from sudden “voltage”, or better: waveform changes. Buffer underruns are the same but would not only occur on parameter changes.

  6. Well then really do the DPC Latency check, if something is spiking in your system since Latency settings shouldnt cause the prob then wi th 1024. Not sure bout the coding but it doesnt click or crakle on my setup.

    • I didn’t want to make a big thing there. It looks very nice indeed. I have some passive eq emulations I use most of the time. I really appreciate you folks offering free stuff for the people (and I really liked the free preamp you used to offer apart from the cpu usage).

  7. Could you specify what you mean? The shapes of different EQs cannot be achieved with the same algorithm.
    I admit that the saturation really do sound similar. IF you hear it at all.

    • I actually like that in Waves plugins. Water and oil form this nice, bubbly, slightly hazy emulsion, really good on reverbs. But sometimes the snake produces too much hiss.

  8. API EQ Code 0100010111000100101001111000010010000100110010101

    Neve EQ CODE 00010010100001001010001001001001000100100100010

    SSL EQ Code 0010000001110101010000100101010101010011001001010

    The sad truth about plugins!

    • I didn’t like it based on CPU usage and the fact it introduced frequency cramping near Nyquist. On my system it was a difference between 2.2 % Ignite Amps PTEq-X vs 3.5 % Rare, where PTEq-X emulates three different units. Also I checked it with Tube option switched ON and it’s the most demanding component.

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