Arturia V Collection 9 Review


Arturia releases V Collection 9, the latest iteration of their flagship virtual instrument collection, containing 32 plugins.

V Collection 9 brings enough fresh material to whet any synth aficionado’s gear appetite. Arturia included four brand new instruments, four improved versions of old V Collection classics, and fourteen exclusive soundbanks.

Let’s take a closer look at the new Arturia V Collection 9 instruments first.

SQ80 V

Arturia SQ80-V

I’m starting with SQ80 V because Ensoniq’s classic 80s hybrid synthesizer has been on my wishlist since… forever.

I never actually pulled the trigger on the original Ensoniq SQ-80 (mainly because of its size), but I tested Arturia’s SQ80 V when it was released in September 2021. Safe to say, Arturia’s virtual recreation of the SQ-80 proved good enough to postpone my hardware purchase indefinitely.

The SQ-80 is a hybrid analog synthesizer with digital waveforms and analog Curtis filters. Its charm lies in the somewhat lo-fi sound quality that is heavily colored by the 8-bit DOC chip and the analog filters.

It’s a combination of gentle bit reduction and analog saturation that sounds beautifully warm and mellow. The sound of the SQ-80 is the essence of synthwave and 80s soundtracks, if you ask me.

Simply sampling SQ-80’s digital waveforms and using them as the sound source for a virtual instrument wouldn’t be enough to capture the hardware instrument’s sonic charm.

Thankfully, Arturia went above and beyond expectations, arming the SQ80 V plugin with state-of-the-art emulations of the 5503 DOC chip and CEM 3379 analog filter. The result is a virtual edition of the Ensoniq SQ-80 that truly rivals its hardware counterpart.

Even better, the software edition opens up sound design possibilities that aren’t available in the original hardware. Arturia’s expanded digital waveform collection allows you to create thousands of waveform combinations that were never possible with the Ensoniq SQ-80.

Furthermore, the original instrument was notoriously hard to program. Its streamlined controls meant that the users had to do a lot of button-pushing and menu diving to customize the sounds.

The good news is that SQ80 V comes with a modern GUI that brings all the modulation controls and other parameters to the front panel. The SQ80 V is a joy to program, and it’s miles ahead of Ensoniq’s hardware in the user experience department.

If you’re into 80s movie soundtracks, synthwave, or any other music style that relies on 80s nostalgia, the SQ80 V is an absolute must-have. On the other hand, look elsewhere if you’re in the market for pristine analog-style sounds. Arturia’s virtual SQ-80 sounds just as lo-fi as the original.



With its screaming resonant filter and gritty waveforms, the hardware Korg MS-20 is an absolute classic. It has a distinctively edgy sound character perfect for aggressive sounds like growling basses and fat analog leads.

Unlike the Ensoniq SQ80, the Korg MS-20 is much easier to come by in hardware form. Less than a decade ago, Korg even released an updated miniature version of the original hardware, so analog-loving music producers could easily add some MS-20 firepower to their sound design arsenal.

But if you don’t want to invest in a hardware synthesizer setup or simply don’t have the space in your flat (I feel your pain, comrade), then a virtual recreation of the MS-20 is the next best thing.

Arturia’s new Korg MS-20 V was built in partnership with none other than Korg themselves. It’s no surprise that the virtual instrument sounds very similar to the hardware, with equally aggressive filters and that unmistakable MS-20 character.

But that’s not all. Arturia expands the capabilities of the original by adding six-voice polyphony to the mix. This makes the MS-20 V much more than just a monophonic bass and lead generator.

However, unlike the SQ80 V, I can’t say that the MS-20 V is easier to program than the hardware. It’s hard to find a reason not to prefer the MS-20’s knobs and patchbay over any virtual GUI.

That said, Arturia’s work on the MS-20 V user interface is as good as it gets. The virtual patchbay is well designed, and the control layout is just as intuitive as the original. However, the “convertible” modulation panel is the GUI feature that steals the show.

You can expand the MS-20 V’s user interface to show all the routing and modulation capabilities in one multi-page panel. From there, you can access the sequencer, the built-in effects, and more.

Augmented Strings

BPB readers are already familiar with the free Augmented Strings Intro plugin. It’s a capable hybrid instrument that combines sampled sounds and synthesis to deliver a broad palette of string sounds.

The full version of Augmented Strings takes the concept much further. It retains the front panel and the sound sources found in the freebie while expanding on its capabilities with the Advanced control tab.

The Advanced panel is where you’ll find all the sound design control parameters needed to create entirely new and unique hybrid synth sounds. This is where users can mix and match different source samples and synthesis algorithms, fine-tune the modulation, apply effects, and freely customize the existing presets.

Augmented Strings is the perfect string instrument for cinematic sound design. It delivers a range of cinematic strings while allowing the user to develop exciting new combinations through patching and experimentation.

Augmented Voices

Augmented Voices

Similar to Augmented Strings, the new Augmented Voices plugin is a virtual playground for cinematic sound design. The difference is that it focuses on human voices instead of strings.

The instrument utilizes the same hybrid synthesis engine as the one found in Augmented Strings. Users can combine four sound layers to create complex voice sounds. Two sound layers are sample-based, and the other two rely on real-time synthesis.

The human voice is arguably the most expressive instrument in the world. But what happens when you combine it with various synthesis engines?

Augmented Voices is the answer to that question. It is an impressive sound design tool from Arturia that will surely find its place in many cinematic soundtracks.

More info: Arturia V Collection 9 ($100 OFF intro price until Sunday, June 5th)

More articles:

Arturia V Collection 9 Review


Arturia V Collection 9 is better than ever, with four new virtual instruments and a collection of virtual analog hardware to die for.

  • Features
  • Workflow
  • Performance
  • Design
  • Sound
  • Pricing
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About Author

Tomislav is a music producer and sound designer from Belgrade, Serbia. He is also the founder and editor-in-chief at Bedroom Producers Blog.


  1. Thanks for this. Cool additions to an already-superb bundle.
    You didn’t mention what some are saying as a ‘rewrite’ of the prophet 5 (synth engine deffo needed attention), prophet vs (now a separate plugin – woo!), cs-80 (it also needed a better sound engine), and vpiano.

    • Tomislav Zlatic


      Yes, I will update the article with more info tomorrow. I had to type this one out in a hurry (had very limited time to test the new software). I’ll do some more testing tomorrow and update the article with info about the improved plugins and the presets.

  2. Arturia fanboi here. And well. Yeah I just upgraded from V7 to V8 in late 2021. Roughly half a year later it’s upgrade to V9? Bruh. Come on now. I think it was two years from V7 to V8 and I doubt I got V7 when it debuted. Again. Was and still am a big fan of Arturia. Just not a fan of this trend of an unofficial $150-200 per six months subscription plan. Also seems to be approaching a Waves update plan with the reworked instruments.

    On a separate note thanks for giving us a rundown of the stuff new to the collection Tomasilav! :)

  3. I agree with the above comment. I just contacted Arturia sales support and told them that $199 to get four new additions and patch banks is ridiculous when I paid $199 a year ago from 7 to 8. I will not pay $199 again to upgrade to v9.

    • Andy Norman


      I’m with you on that. Couldn’t believe the upgrade price given that each synth costs around $20 if bought as part of the main bundle. I’ll make do with the limited versions in Analog Lab until Arturia see sense and offer the upgrade for $99 which I expect will happen in November.

    • I love Arturia however I plunged in on the NI deal at $999, all in 13 Ultimate. As expected, 2 mos later, the update=$499. Arrrrgh! or $1199 for 14. I wish I had demoed Arturia first.

  4. I only just updated to V8 for 99 Eur at the end of March this year 2022 !!!

    .. and there was no mention I recall of V9 on the near horizon.

    So what would my ‘special loyalty discount price’ be now if I hadn’t bothered updating to V8 ?????

    The same pricey 199 Eur, or maybe even 299 Eur.. Who the F knows ?????

  5. Arturia played a dirty little trick by taking my money for the upgrade to V8 and then replacing it with V9 just a few weeks later. Arturia that’s not the way to treat loyal customers. For the price of both upgrades I could have purchased V9 as a new customer. That’s why I didn’t upgrade again. Rotten. It’s also why I won’t buy a polybrute to add to my studio collection of hard synths. Arturia your engineers maje great products but I can’t trust your business model. It truly sucks.

  6. The V8 will keep me entertained for the rest of my time on this rock. I stopped gaming the instant DLC and Loot Boxes in particular crept their way in and tapped into our innate FOMO.

    That’s not to say I won’t cave for something really cool.

    Now, I’m on the verger of buying a Nord Lead 4, and a maybe Neumann TLM 103.

    Some studio monitors would be nice. Headphones, as great as they are (LCD 2 erv2; Senn HD800s) can get in the way sometimes. I’d prefer to enjoy them and have a pair of workhorse monitors.

    Don’t start me gassing for guitar gear. I have too much, but no where near enough;)

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